Many many layers to be added...
Saturday, 1 August 2015
Wednesday, 20 May 2015
Barbed Wire
Wondering through the Pike Lake forest, traces of my family history is found in subtle ways. You cannot tell what animals once lived with in fence or how large the fence was. It's broken from trees falling onto it, leaving pieces of barbed wire stitched into the trees. I spent some time looking at the wire and how it was created- a simple but laboursome task I'm sure. I imagine it must of been the hand of my great-great-grandfather who wired it together. His hands touched many things here in the space I occupy.
I'm thrilled to have just submitted a grant proposal "Things and Beings" to the OAC, which will hopefully aid me in the exploration of this land, the objects and my history.
Sunday, 10 May 2015
The new muse while exploring the same theme..

Upon moving into the homestead on Pike Lake where my Mummu (Great Grandmother) grew up. I find myself again exploring my heritage and themes revolving around life cycles and rebirth. The land and home I live in are full of history, you can feel it.
Here are some photos recording my experience in the old space. They are in a sense sketches or samples of this new direction in my artworks. I continue to explore family- my ancestry and am connecting the life I'm cultivating to the past, and also to my future.
Sunday, 15 February 2015
Pike Lake Forge: The homestead was in the family for over 100 years...
Pike Lake Forge: The homestead was in the family for over 100 years...: Here's a photograph of Pike Lake - the homestead where my Great-great grandfather raised Mummu (seen below). Mummu would have been …
Saturday, 25 October 2014
PHP on display at The AG
Well, three pieces from the Preserving Harold Project are currently on display at the Thunder Bay Art Gallery (1080 Keewatin St., Thunder Bay).
The show is spectacular and runs until Jan 4th, be sure to see it!
The creation of these works was funded by the Ontario Arts Council Northern Arts Program.
"Harold's House"
In my shop I don't have a white wall to photograph upon -- but I thought what an interesting context this painting is in. Behind the locked door it leans upon is my storage...
Tuesday, 20 May 2014
The Art of Carol Kajorinne: The Development of My Artistic Process
The Art of Carol Kajorinne: The Development of My Artistic Process:
I am a multidisciplinary artist with a strong focus on metalwork. For years, I practiced the art of drawing and painting en-plein-air; recording the sun set and rise. Now, as I manipulate steel using a torch or forge, I transform this element of light/sun I was once studying in my paintings and drawings into the actual tool I use to create my artwork.
It was while working on the Preserving Harold Project (PHP) that I began incorporating steel into my artistic process. My artistic process is an integral part of my artwork, lending to the overall essence I aim for. The steel hangers created for the PHP were not only functional, but also decorative and meaningful; at times resembling roots which I relate to the invisible connections that hold everything together. My mental process also developed, becoming more meaningful and present as I heated and pounded the steel and thought about Harold, his house, and family members. The process of blacksmithing also relates to a common theme of rebirth that permeates my work, as all elements (water, air, earth, fire) are required when transforming steel.
I am a multidisciplinary artist with a strong focus on metalwork. For years, I practiced the art of drawing and painting en-plein-air; recording the sun set and rise. Now, as I manipulate steel using a torch or forge, I transform this element of light/sun I was once studying in my paintings and drawings into the actual tool I use to create my artwork.
It was while working on the Preserving Harold Project (PHP) that I began incorporating steel into my artistic process. My artistic process is an integral part of my artwork, lending to the overall essence I aim for. The steel hangers created for the PHP were not only functional, but also decorative and meaningful; at times resembling roots which I relate to the invisible connections that hold everything together. My mental process also developed, becoming more meaningful and present as I heated and pounded the steel and thought about Harold, his house, and family members. The process of blacksmithing also relates to a common theme of rebirth that permeates my work, as all elements (water, air, earth, fire) are required when transforming steel.
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